After watching this amazing company, one can understand his point of view.įor more information visit: chicagorepertoryballet.The story, which moves between a provincial town in what is now Tanzania and the exercise grounds and battlefields of the German schutztruppe (the German colonial army), is told with an understated economy. He also noted that he preferred to work with older dancers as they “speak from experience in life”. They gave a wonderful performance.Īt a Q&A session following the program, Wade Schaff spoke of the training of the dancers (ballet and contemporary). It was delightful to see the youthful and talented dancers from Ballet Vero Beach take the stage. Together they presented a charming piece titled A Beautiful Thing Is Never Perfect, with choreography by Jacqueline Stewart. Two companies working together to form a relationship. Chicago Repertory Ballet completed a two week residency with Ballet Vero Beach. This program was presented by Ballet Vero Beach, with Adam Schnell as Artistic Director. The starkness of the costumes and the choreography highlighted “the winter of our discontent”. “Winter” was performed with the women in nude coloured leotards and the men in flesh coloured tights. At times joyous, wistful, languid and potent. Each season brought forth a different feeling and atmosphere. Like Richter’s music, the dancing was filled with depth, breath and spaciousness. Here we see the relationship of man to the changing seasons. Photo: Cheryl MannĬhicago Repertory Ballet rendition of Vivaldi’s The Four Seasons (with music recomposed by Max Richter) was the final piece on the program. At one point, the woman is drawn to the lamp, moving like a moth to a flame, while the man stands back in darkness.The light illuminates so much, but much remains hidden in the shadows. It is at times stark and at others illuminating.
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The light illuminates both the dancers and their relationship. It began with a couple standing around a lit lamp.
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The piece dealt with the intricacies of a relationship. It’s Not Enough To Close Your Eyes (2011), choreography by Jacqueline Stewart with music by Hildur Gudnadottir and Jean-Philipe Goude was next on the program. Are we watching a woman dealing with an internal struggle? An inner battle within herself? The net seems to take on the role of a conflict which she is forced to deal with. At times she seems to be completely engulfed by the net, until she is finally able to rid herself of it. She is lying on the floor, her back to the audience, and appears to be in the grip of a nightmare. Photo: Cheryl Mannĭancer, Net (3) (2011), with music by Camille Saint-Saens and choreography by Wade Schaaf, began with a dancer wrapped in a shimmering net. Like the film, we saw a couple in an intimate relationship dealing with love and violence old age and dying.
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Were we watching the beginning of relationships? Or endings? In the midst of these fluid relationships was a powerful duet danced to dialogue from the film “Amour”. Groups were formed and reformed while maintaining a sense of structure.
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The first piece on the program, Still Life (2015), choreographed by Tenley Dorrill, was a septex with one lone dancer echoing the movements of the others. The program presented was filled with thought provoking choreography performed by highly trained and talented dancers. Relationships between groups, between couples and the relationship between man and the changing of the seasons.Ĭhicago Repertory Ballet, under founder and Artistic Director Wade Schaaf, is a young company (3 years) making its mark on the U.S. Relationships filled the stage at the Riverside Theatre in Vero Beach (north of Miami).